In his ongoing brouillard – passages series, Alexandre Larose creates long-take sequences by superimposing first-person, Hamish Fulton-esque walking trajectories shot along a man-made path leading to a lake.
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I watched this in 35mm at the amazing second edition of the Fronteira Festival in Goiânia, Brazil, and I simply cannot emphasize enough: it's one of the most beautiful cinematographic experiences I've ever had. Thanks for the beautiful work.