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Vincent Gallo United States, 1998

smndvdcl's rating of the film Buffalo '66

The question about the difference between the artist and the art remains. Gallo's analysis of dysfunctional masculinity is so close to the bone that there is a blurred boundary between his on-screen persona and Gallo himself. As a film exclusive from the context of reality, this is a profound piece. If Gallo can break through the regressive elements of his character, (cue: film's final sequence) it may vindicate him.