3.8 stars. "We slip through the streets/ While everyone sleeps/ Getting bigger and sleeker/ And wider and brighter/ We bite and scratch and scream all night" (The Cure). Quieter than Schrader's remake, working more via implication. The mythology is thinly sketched, casting the "cat people" in the region of half-remembered dream, unlike the more corporeal monsters of Universal's monster movies. Gloomily seductive.
At first it seemed too fantastical to me, but as the story progresses, it becomes darker and more mysterious and consequently -to me at least- more interesting. The mystery is supported well by the dark setting. I cannot help but dislike the fantastical bit though, even though it's the very unique and core thing about this film. A matter of taste of course.
I really struggled with this film. I’ve really loved the two other Tourneau films I’ve seen (I Walked With A Zombie and Curse of the Demon) this film simply fails for me due to the absurdity of the underlying story. As well executed as you can try the fear of turning into a cat fails to compel or really disturb me. Yes this is a far better film than it’s 70s counterpart. But nothing lingers, nothing haunts.
Messa in scena superba, che punta sulla psicologia dei protagonisti per darle una profondità inaspettata. La protagonista ha un'evoluzione fantastica. Ritmo ottimo e tensione sempre crescente che suscita curiosità. Scene meravigliose, con un uso fantastico delle luci. Inquadrature curatissime con angolazioni non banali. Interpretazioni molto buone.Eccellente qualità sia in termini di scrittura che in termini tecnici.
Terror is entirely communicated through shadow and the unending possibilities of what could lie within. Sexual repression is obviously the cause of all of the horrific situations and this repression transforms what is originally terrifying into something entirely bleaker.
Chef-d'oeuvre du cinéma fantastique qui fait rimer poésie sauvage avec beauté formelle, fascination de l'inconnu et mythes légendaires. Approche intelligente et adroite des archétypes de l'inconscient collectif et de la peur, du désir/rejet de la féminité. Un grand moment de cinéma ! www.cinefiches.com
Purring softhorror. Not scary at all, yet moody thanks to the film-noir aesthetics. Simone Simon as the Serbian mistress is wonderful, the other characters and actors rather not. What on earth does she see in that wooden bloke? There’s some subtle subtext concerning relationships, love and sexuality - treated like you’d expect in an American movie from the 40s.
One of the most influential horror films ever made and an essential watch for any fan of the genre. Cat People set the formula for cinematic psychological horror, relying almost entirely on shadow and suggestion, playing with the audience’s anxiety and expectation to get it’s scares. It was so innovative and ahead of it's time that it still feels much more contemporary than most films of this era.
This movie has a premise like this: A woman who believes she's a descendant of a race of people who turn into cats when sexually aroused. Sounds cool, huh? Unfortunately, I was bored with the first-half of this movie. But this movie become better after that. I admired its cinematography and atmosphere. Not to mention that famous "Lewton Bus" scene. It's still worth to watch...
My expectations were a bit high for this one, I’d heard so many good things. There are some great sequences, like the swimming pool scene, but it’s just kind of middle ground stuff. May have worked better if they capitalized on that ambiguity it seemed to be setting up at first.