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Max Ophüls United States, 1949

Duncan Gray's rating of the film Caught

Part of the noir kingdom, but also a vast, pulsating psychodrama, more Sirk than Chandler, where an everywoman is pushed into a position of sexuality, then, er, caught in a reality (call it mid-century America) where all she can choose is which sort of man will possess and define her. Layered, subversive, and over-the-top enough in its visual design that the melodrama feels natural. All the themes of Ophuls' career.