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Ratings & Reviews

  1. Ethan's rating of the film Charley Varrick

    Walter Matthau is nothing short of badass in this crime gem from the 70s. Don Siegel was a master of gritty filmmaking.

  2. Nachtreich's rating of the film Charley Varrick

  3. grotescsetorg's rating of the film Charley Varrick

  4. SpacePirate's rating of the film Charley Varrick

    A forgotten 70s gem/borderline noir revival but filtered through a Butch Cassidy/French Connection style attitude. Matthau is excellent, known more for his comedy but holds his own here. Entered the film not knowing what to expect, left impressed by the direction and plot twists. The 70s really were the last great decade of American cinema, quickly ruined by Star Wars sfx and general dumbing down of storytelling.

  5. Bilouaustria's rating of the film Charley Varrick

    CINEMA _ Beyond the surface, "Charley Varrick" is not the fascist film it pretends to be. Look at those first credits. A peaceful and perfect world, full of (God's) light and children playing. And right after an ugly bank robbery. Siegel always plays on a thin line and shows that America is BOTH innocence and pure violence/corruption. The Mob guy pushing the kid on the swing. True independant film making.

  6. Thomas's rating of the film Charley Varrick

    A cracking thriller of double-cross, mistaken identity, honour, greed and the gangster code. Massively underrated, this film has undoubtably been a major influence on many prominent filmmakers for productions of a similar style, scale and aesthetic. Tarantino, Soderbergh, and P.T. Anderson spring to mind. A brash, raw, lean and brilliantly crafted movie.

  7. Illusion Travels By Streetcar's rating of the film Charley Varrick

    "This is some of the least glamorous filmmaking of its time." http://illusionpodcast.blogspot.com/2015/03/episode-51-crime-dramas-of-don-siegel.html

  8. Rohith Varma's rating of the film Charley Varrick

  9. mjgildea's rating of the film Charley Varrick

    3 1/2 out of 5 stars. As good as Charley Varrick was from a technical or filmmaking standpoint, I ultimately credit Walter Matthau with how much I liked this movie. I've only seen it once but I have a feeling its the kind of movie that gets better and better with each viewing.

  10. Zach Franks's rating of the film Charley Varrick

    Love it, lover everything about it. A really well told heist and fallout story. Matthau is his usual awesomeness and Joe Don Baker basically plays Bardem from "No Country" except he's Joe Don Baker. What the hell are you still reading this for? Go watch the damn movie!

  11. João Eça's rating of the film Charley Varrick

    A purely masculin movie as only Siegel and a bunch of other directors would be capable of (Hawks, Fuller, Peckinpah, Hill, Carpenter, Mann), its shots are given meaning by the relation of the bodies in its interior: therefore a constant tension is achieved, created merely by the ocupation of the space by Siegel's characters. It's a shame the movie is ruined by its insistence on comic relief and overdramatic acting.

  12. film_lies101's rating of the film Charley Varrick

    They really don't make like this anymore. Also, Tarantino stole buttloads from this film. 'No Country for Old Men' fans take note.

  13. SeventiesSinema's rating of the film Charley Varrick

    Well-directed by Donald Siegel with clever plot twists, but by the end I no longer cared who got the money and who didn't.

  14. Pierluigi Puccini's rating of the film Charley Varrick

    An intelligent, discreet and very entertaining thriller by the master of pulp and badass-ness Don Siegel. Great performances by Joe Don Baker as the hitman Molly, and Walter Matthau as the crop-duster/bank robber Charley Varrick.

  15. T. J. Harman's rating of the film Charley Varrick

    Underrated Siegel crime thriller. This film's cult following should be bigger.

  16. Christofer Pierson's rating of the film Charley Varrick

    I saw this in a drive-in when it came out and was a little too young and refined to appreciate it. Seeing it 40 years later, I now am greatly impressed by the earthy vernacular of the script and the cool craftsmanship on both sides of the camera.