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Critics reviews

COMPLIANCE

Craig Zobel United States, 2012
Compliance resists simply wallowing in our collective vileness, and mercifully avoids that pat movie cliché of implying audience complicity in voyeurism and abuse... Through nuanced performances and a thoughtful script, Zobel asks us to recognise subtle reasons for each character to behave the way he or she does, and demands that we acknowledge the ambiguous responsibility for what is effectively a rape by proxy.
March 22, 2013
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Payne's own instructive middle-American patois ("I don't think it's right to see a lady like this in the buff") reveals Compliance's most effective idea: that it's not just the absolution to a vague concept of capital-A authority that threatens to demagnetize an otherwise decent person's moral compass, but the way that loose American values like decency and folksiness can work to further obscure that authority.
January 22, 2013
To depict this thorny situation with acuity, Compliance becomes something more than an effective tale of everyday horror, emerging as an urgent indictment of the greatest danger in our Western democracies: the tendency of citizens to willingly give up their critical capacity.
November 1, 2012
The movie miscalculates by cutting away to the caller at home, even if that does mean seeing him played by an unflappably weaselly Pat Healy. While allowing us a privileged perspective doesn't make the film any less gripping, it does give viewers an escape hatch from the confusion on the other end. Compliance inevitably raises the question of how moviegoers themselves would behave.
August 30, 2012
To watch a dramatic spectacle is some respects to be implicated by it and, despite a heavy handed, blame-assigning closer, "Compliance" differs from most ordeal films by offering no catharsis.
August 17, 2012
As in his feature debut, The Great World of Sound, Compliance possesses a disarming sensitivity, along with a wafting sorrow at its core that seems reflective of America in microcosm. Zobel is on a mission of understanding: How could such pranks (over seventy, as the end titles tell us) have occurred at various chains across multiple states and many years? Who are the individuals on the other end of the line? What were they thinking?
August 16, 2012
The New York Times
Raising troubling questions about the influence of class and education on our response to authority, Mr. Zobel cares less about charges of exploitation than about making us feel the monstrousness of the behavior on view.
August 16, 2012
GreenCine
There's one heartbreaking visual highlight when Sandra's ordered to take Becky's clothes out to her car for "safekeeping." Like a Gerry outtake, she marches to her grimy, dust-covered 2000 Subaru, leaves the clothes and throws out a dirty disposable cup sitting on the seat. She's trying to impress someone who isn't even visible, and the camera follows her every mournful trudge.
August 15, 2012
Compliance lets neither men nor women off the hook. Obviously, its narrative involves men raping Becky, directly and by proxy. But men are also the only characters who rebel against Officer Daniels, while Sandra greases the wheels of Becky's degradation. We'd all like to think we'd say no to tyranny; Compliance shows how hard it is to tell authority figures to fuck off.
August 15, 2012
Zobel bobbles a few of the details: Too soon in the film do we learn that the call is a prank—whereas withholding the info might have made us dupes, too—and some of the nudity comes within shouting distance of exploitation. But the movie's frightening momentum can't be denied; indeed, it's the whole point. When critical thinking is reduced to numbered choices on a value menu, we'll turn ourselves into the final meal.
August 14, 2012
Zobel's unwillingness to push his inquiry beyond its most basic formulation, his compromising of the setup by playing his hand too early, and his misguided positioning of the viewer in relation to the material ensures that the only challenge the film provides is on the level of audience endurance.
August 12, 2012
The Film Society of Lincoln Center
The film articulates its own allegorical accuracy, turning a perverted tragedy into a case study on authority. The film, in fact, radically questions the inherently positive attributes obedience is usually associated with, showing how its unquestioned implementation can easily degenerate into sheer horror.
August 6, 2012