Going into this movie knowing very little about it except who was in it and who made it, I have to say I never expected so much script time spent on horses, the Silver Surfer and Star Trek. But that's what you get when you hire QT for a punch up. Either way, CT is very entertaining, and it was nice to see Denzel really respect another actor for a change. Perhaps because of that, this one his best performances.
Tense submarine thriller with underwater action is a great genre that always give some entertainment and this film is no exception. Adding to this is the great teaming of Gene Hackman and Denzel Washington who are at odds against each other as officer goes against officer. It is another well-crafted Hans Zimmer score in the film too.
Introduces complex subjects and ethics in a war action thriller, which is commendable. Too many guns but no bullet fest, which is also commendable. The political setup is hopelessly biased and reflects the 90s fantasies of the state department. Eventually problematic as it serves as justification for a a first strike, using a massively contrived scenario while avoiding to explore fully the consequences thereof.
Despite starring Denzel Washington and being directed by Tony Scott (admittedly this came from an era when his work was watchable) I actually really liked Crimson Tide. Admittedly, the rich dialogue and Gene Hackman did a lot of the bull work but overall it felt like a less obvious remake (or reimagining if you're an idiot) of The Caine Mutiny. I kind of wish I saw this sooner.
Look, nobody's ever going to confuse Tony Scott with (insert revered classic director here), but the man is the best at what he does - creating entertaining popcorn action films and occasionally rising toward something more (Man on Fire, Deja Vu). This one never hits those heights, but it's still an entertaining film with some very good individual performances.
Typically slick action drama from the Don Simpson/Jerry Bruckheimer factory and director Tony Scott. Strong performances and top-notch production values can't make up for a predictable and generic story - for all the tight close-ups and pulse-pounding Hans Zimmer score, the suspense feels processed and just never really works. Not a terrible film, but not particularly memorable.