The daughter of a lighthouse keeper runs away with a shipwrecked businessman to the city. But instead of her dreams, she ends up selling herself in the streets, until a painter finds her as an ideal model for his next painting.
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Anthropophagy at its choicest. (That is if women counted as humans at the time). Every Tulio film arrives at a crossroads moment that you know is so bad & ugly & embarrassing & choking & exitless as only he could make, that I need a substantial pause before kayaking down the cataract or covering my face with the t-shirt. Gallagher famously said that Dreyer's Gertrud was as intense as a soccer match. Don't know about