Ana de Armas' finest hour. This is the director's cut. An unsung masterpiece. Gray, Noé and del Toro come to mind. (Maybe a bit of Iñarritu and Reygadas also). That nursery/myth/children's story should be in an audiobook. Señor Salazar y el Diablo. Love the way Armas' accent switches from Cuban Spanish to Castilian Spanish. First director that actually draws from her great acting skills rather than her looks.