After murdering a woman, a killer who is traumatized by his childhood memories has a mysterious envelope slipped under his door. The hunter becomes the prey when he finds out that the envelope contains photos that show him killing the young woman.
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This Argentinian neo-Giallo is even more idiocentric and divisive than the work of French-Belgium neo-Giallo directors Cattet and Forzani. Considering how alienating their stylistic films are, this soundtrack-heavy, solely 1st-person killer's POV with barely even spoken dialogue is downright reclusive. I respect the hell out of the experiment, but emotion and entertainment are in short supply here, at least, for me.