(...)Ganz nebenbei setzt er dabei die Grundregel der romantischen Hollywood-Komödie ausser Kraft: Die der Monogamie. Normalerweise werden Treue und Vertrauen der Liebenden erprobt, um anschliessend eine Familie zu gründen. Wohl bemerkt: Lubitschs Zweifel an diesen Werten wirken dabei nie verletzend!(...) (Dazu gibts unsere Film List "Hollywoods wilde Jahre bis 1934" auf cinegeek.de
This is about knowing exactly when a scene must start and when it must end, how to tell what has happened in an ellipsis, how to project thoughts and feelings into objects, and there are even some great bits of silent comedy. In a few words, Lubitsch and Hetch stick to a way of conveying things indirectly, but not too indirectly, and they make the most of it.
A tale of platonic love and art versus carnal desire and lust, revolving around Gilda, the mother of the arts, the heart of the love triangle. Although the plot seems rather superficial, it is very well written, including witty dialogues and clever symbolism. I am usually no fan of theatrical exaggerations, but here it's done so consistent and well that I was able to embrace it. A very charming and mature film.
Racy, sexy, and intelligent. Pre-Code is a wonderful era, and in a lot of ways Design for Living is an adept representation of it. The leads work well together (although Hopkins seems to outshine the rest) and the dialogue is good. I just wasn't a fan of the plot, but maybe that's due to the original play.