Abel, an immature and eccentric man finds himself at a turning point. He sleepwalks through his life, which revolves around his dying mother and journalist girlfriend Madeleine, who is even more immature than he is.
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Despite its relevance in the context and period in which it appeared, this film, the only one I know of his legendary filmmaker, seems to me an applied copy of Truffaut and Godard motifs and characters, without the originality and formalist spirit of these directors, being particularly painful the supposed irreverence of the protagonist and the Nanas with fringe and accent, mimetic versions of others much loved.