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Ingmar Bergman Sweden, 1955

Tabikenezer von Higglesbloom's rating of the film Dreams

Bergman does a Woman’s Film. Many Bergman films are full of or centering on women but its interesting how one of his least critically successful films is one of the few where the women don’t begin and end the film neurotic and suffering. To deride this as a “stylized melodrama” is to forget that that’s what the majority of Bergman’s films are.