Beautiful, interesting, incredible cinema.
Initially recalls the strict structuralism of Michael Snow’s Back and Forth (1969), as the camera pans repeatedly across the lobby of Ito’s company dorm, but the shifts in perspective begin also to warp the space of the image.
Initially recalls the strict structuralism of Michael Snow’s Back and Forth (1969), as the camera pans repeatedly across the lobby of Ito’s company dorm, but the shifts in perspective begin also to warp the space of the image.