I thought it had some good anecdotes and I'm biased because this is one of my favorite eras in filmmaking. However, it sometimes seemed like a list of information and I wanted them to spend more time on certain subjects. The music is pretty cool though.
This doc is better than Biskind's sleazy, factually challenged book by the same name, and it also doesn't suffer from the worthless groupie mentality that infected A DECADE UNDER THE INFLUENCE. It serves as an enjoyable introduction to an interesting era of American cinema, but it lacks the canvas to really sink its teeth below the surface. It's simply useful as a gateway drug.