After the disappearance of his wife, Magdalene, Elon immerses himself in an insane journey through the darkest corners of the city, seeking to understand what may have happened to her, in an attempt not to lose her sanity on the way.
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DCP. Says the director, "we seek the relationship between bodies and spaces, a fundamental element for the construction of the mise-en-scène of this film". I say: chasing a character in steadycam for 75 minutes, backwards, making him cross several spaces with the camera on top of him may be anything but a "relationship between bodies and spaces", as these we can badly perceive and those are too much close.