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inquisita's rating of the film Enter the Void

For all the hype (or against its backdrop) the film's rather benign* if emotional. Wonder if the whole supernatural out-of-body hovering is just a literary attempt to justify omniscient narration via first-person point of view, affecting the former's pudeur for diving into sealed-off privacy by the latter's convenient passing walls. Could do in class as a hybrid pendant to Akutagawa's synthetic account in In a Grove.