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Ratings & Reviews

  1. Bilouaustria's rating of the film Europe '51

    CINEMA, 35mm _ Rossellini is a master to capture the right emotion, to find the right distance. This film combines some of his favourite patterns : the couple that can't communicate anymore, the child tempted by death, religion, and the great Ingrid Bergman... And of course a strong combination of work of fiction and neorealism. This here is never spectacular but look twice : the directing is as precise as can be.

  2. Jason's rating of the film Europe '51

    Look for the story beneath the story. Or the story looking out of the story. Namely, look into Ingrid Bergman's eyes. The eyes of a trapped woman in her uncommon purity. Then there is the city. A new city. An oppressive and drab fortification, its poor penned up in slums. Glowering factories. The movie at the surface, the didactic melodrama, is a bit much. But the beauty and grace shine stridently through.

  3. ermete polpette's rating of the film Europe '51

  4. Alexander Dunkelberger's rating of the film Europe '51

    Middleground. Ingrid Bergman is a good screen presence and actor though.

  5. Diogo CF's rating of the film Europe '51

    Irene's pure altruism cannot be confined within messianic narratives: it is neither Christian nor Communist. And in the heavily ideological landscape of post-war Europe, her kindness can only be mistaken for insanity.

  6. Cinema Omnivore's rating of the film Europe '51

    7.3/10, my review: https://lasttimeisawdotcom.wordpress.com/2016/07/30/europe511952/

  7. Diderot's rating of the film Europe '51

    This is the strangest of the Rossellini/Bergman collaborations and perhaps the easiest to dismiss due to what seems like an awkward moral didacticism. It's more than its (purposefully) obnoxious surface critique of post-war Italy. It's a great film about saintly hysteria.

  8. Güven Şahinkanat's rating of the film Europe '51

    masterpiece .developmental process of actions are wonderful.there is a critique of class antagonisms ,as well as a well written criticism about having narrow ideas , being biased too. kind of camille claudel story but more social result oriented.

  9. Lynch/Fellini's rating of the film Europe '51

    Rossellini made a beautiful film about a woman who sacrifices everything and becomes a saint and called it Europe '51. I loved the way he contrasts the melodrama set up with harsh imagery, making for a great, tragic atmosphere!

  10. Stevie's rating of the film Europe '51

    A spiritually pure and beautiful film with an excellent performance from the wonderful Ingrid Bergman. This works as a fantastic companion to Rossellini's earlier film about St. Francis of Assisi.

  11. nein's rating of the film Europe '51

  12. paxy's rating of the film Europe '51

    https://cinepaxy.wordpress.com/2015/12/23/europa-51/

  13. Ramona Arsene's rating of the film Europe '51

    "By the sweat of thy brow shalt thou earn thy bread."

  14. José Neves's rating of the film Europe '51

    Cinematography by Aldo Tonti.

  15. fiona_huffman's rating of the film Europe '51

    Rossellini, what can I say? This movie is so in-your-face, complete with the excessive crying and grating sentimentality. It's hard to relate with something so blunt. There is a total lack of nuance in this one. Neverthelessl, a decent film with an effective conclusion. 3/5

  16. menuchin golem's rating of the film Europe '51

    Hoy vi la película. Para ser honesto, me quedo con "Alemania año cero" y "Francisco juglar de Dios". Europa 51, la encontré excesivamente melodramatica (una mezcla de Douglas Sirk con Ken Loach). A pesar de algunas secuencias soberbias, el film en cuestión no me conmovió.

  17. Algitya's rating of the film Europe '51

    Just realized this one as greatest pic ever crafted.

  18. Michael Harbour's rating of the film Europe '51

    Heavy handed didactic. But supported by compelling passion.

  19. Brotherdeacon's rating of the film Europe '51

    Some consider the bourgeois woman Irene to be a secular saint. Deleuze describes her as "a mummy radiating tenderness." But, as she herself explains, "Love for others springs from the hate I feel for myself." This isn't a glib Italian sermon on Humanism, nor mystical union--she isn't a symbol or sign, but a unique artistic creation born from catharsis and guilt into one doomed to perform actions of love and respect.

  20. Ciprian David's rating of the film Europe '51

    I keep thinking Jeanne d'Arc meets Pickpocket - and that's the problem with archetypes right there. Rossellinis pursuit of more abstract aspects of social critique becomes clearer with this film, recursively, for Germania Anno Zero too. Still, something a tad too naive not to steal a smile keeps flimmering in the images.

  21. chanandre's rating of the film Europe '51

    [Cinémathèque PT #499: 35 mm] (2007)

  22. Kai White's rating of the film Europe '51

    Thank goodness I was able to get English subs for this film, and did not have to watch what sounds like a horribly dubbed version. Bergman's performance is great, and the little things - such as the interactions between Irene and the little girl Daniella, and Irene's experience in the factory - made this a great experience for me.

  23. Tobin.'s rating of the film Europe '51

    The english dubbing isn't that great, and the print I saw had irritating french subtitles (in orange!), and wasn't in very good condition. However there's definitely a masterpiece underneath the technical problems. I would love to see this film restored. Also, the appearance of Giulietta Masina was a pleasant surprise.