Puissant et pertinent premier long métrage d'un écrivain scénariste à la féconde originalité qui dépasse largement le canevas primaire du simple film d'anticipation, pour poser les questions fondamentales, à connotation éthique et philosophique, de l'intelligence artificielle et des éventuelles émergences émotionnelles... www.cinefiches.com
Good scenes with beautiful Chelsea LI, nice special effects & an interesting psychological face-to-face ISAAC/GLEESON. But lots of blahblah slow down the rhythm & WHY this super ugly dress for Alicia VIKANDER?= La belle Chelsea LI, des effets spéciaux sympa et 1 huis clos intéressant. Mais du bavardage ralentit le rythme & pquoi cette tenue hyper moche pour Alicia VIKANDER? https://www.youtube.com/watch?v=moHvkOZdmVA
very nice surprise! it left me wanting to find out what was going on all the time and failing, of course. each character holds its mistery and the dialogues are witty. only disappointment was that i wanted more! give me a robot sex scene! i don't know! but can't say the ending was bad, anyway. i'll keep an eye on alex garland.
Holds one's attention with its dialogue, but the enigmatic story and mysterious plot hurts its pace, making it unintriguing. The conflict isn't very pronounced until the climax, and before that there's a lot of small talk about artificial intelligence that isn't anything that hasn't been covered in the past, nor does it have much to say outside of this discussion. It's also weak in suspense and tension, as well.