February was photographed during the first weeks of early spring in San Francisco. For me there is a haunted sense of restlessness in its form, some desire for a new freedom, a fresh sense of cinema. —Nathaniel Dorsky
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Wow. Dorsky has such masterful framing, and use of light. Light light light... breathtaking. The scene with the water droplets shot through the windscreen and the bokeh of the lights moving, and shifting across the frame, was one of the most mesmerizing things I've ever seen on film.