Never understood why when a horror film favors a slow-burn approach over sustained tension and breakneck frights, it's finally thought of as smart and creative. Much like the undercooked dullness masquerading as intellect of The Babadook and The Witch, this isn't a literate or auteurist slow-burn horror film exercise akin to Polanski or even Nicolas Roeg and Peter Medak, but a lifeless one that could use more depth.
To me, this feels like typical nonsense that is heralded as "subversive" or "intellectual" simply because nobody wants anybody else to know they don't understand it. There's nothing to understand. It's an under-cooked effort that (I think) tried to weave a triangular demonic possession tale, but sadly very little of it amounts to anything. Further, they seemed to mistake moody lighting for no lighting. Waste of time.
Sensorially, this wasn't horrible; I liked looking at and feeling it. But the story was just either too weak or messy to make it anything more than a nice photograph with scary music. Casting two different actresses to play the same young girl only nine years apart was such a monumentally bad idea.
Great slow burn chiller with a fragmented plot and excellent photography, sound design and score. I like that the director really managed to convey tension and menace with minimal effort and without resorting to cheap jump scares and heavy exposition. Sure there are some parts that does not really add up but this is heads and shoulders above many other horror movies out there at the moment.
This is a decent horror, well acted, well directed and with a fantastic soundtrack. There is something stylish and refined about its atmosphere, an anti trash splatter. The story-line however is too fragmented, I guess it is where the director got a bit lost as the different parts do not seem to come together as well as they should have. Excellent debut nevertheless.
A potentially interesting story of possession & isolation ruined by a hatefully dull script and direction that believes long awkward silences make a film atmospheric. Plus it had absolutely nothing of worth to say about teenage girlhood, which, why would you make a movie set in a girls boarding school if that was the case? Fucks sake.
I think the biggest potential strength of The Blackcoat's Daughter turned out to be its biggest weakness. The whole film plays out as essentially two isolated incidents, which I like; but it was so adamant on providing such little context that it lacked the character development necessary for me to stay engaged. It ultimately results in a paper thin film. What I can commend is the spot-on tone and score.