Betacam. Indie Lisboa # 22. The toy of a joy: cinema. And also the theater, never as here so exposed and used as narrative matter of his cinema. Not as Rivette, as an exploration of narrative procedures, but as a fun that portrays, not replacing, life and the artifice of (its) constant improvisation. This time Rozier does not walk to the sea, but the trip also exists and lies in the way that his usual actors rave.