This film (along with Memento and Insomnia) shows Nolan could've been generation X/Y/Z's Hitchcock, if he hadn't morphed into a deeper Spielberg/Lucas...playing with Tarentino's pop use of the chronological headf*ck, he crafts a semi-classic slice of nihilism and noir out of a low, low budget...watch who you're watching! Bonus: check out the Batman emblem on the door late in the movie...portent of things to come...
Even as he got launched to IMDb idolatry, Nolan has always been best as a sleight-of-hand artist. The philosophy of his films is either simple or muddled, but ask him to play with structure or aesthetics—and think only just hard enough—and he can hit close to home. This truly impressive $5,000 debut is still emblematic of his skills, a rewiring of classic noir to that late-90s trend where reality itself was in doubt.
Inspiring. Besides just being a great movie on its own merit, it is truly remarkable when you consider it was made with a modest $6,000 budget. A lesson to all aspiring filmmakers on how to deliver a creative and intelligent film just by using some saved up money and pure wit. And you can already see the style for which he later became known clearly blossoming here. Bloody brilliant.
Our Daily Free Stream: Christopher Nolan - Follwing. Our Daily Free Stream: Christopher Nolan - Follwing. Ich habe mir den ersten Film von Christopher Nolan angesehen, die britische No-Budget Produktion Follwing und war verblüfft: In seinem Debüt steckt der Kern aller seiner Filme!(...) Die ganze Rezension und eine Film list mit den kniffeligsten "Indie" Mindgame Movies findest du auf cinegeek.de Viel Vergnügen!
I guess that's why you shouldn't follow people. A neo-noir that is very clearly influenced by it's predecessors with all the usual trapping: femme fatale, black and white photography, etc. I found this enjoyable and well made, but not particularly new or too inventive, apart from the interesting use of non-linear narrative. Overall middle of the road. Nolan's best work is still yet to come.
What appeared as a hitchcockian approach in storytelling soon became Christopher Nolan's patent for fractured but organized and symmetrical screenplay with purpose to shake viewer's senses. Low budget combined with criminals in suits and fatal blondes had turned it into one of the purest neo-noirs, and justified member of Criterion Collection. Plus, Alex Haw's Cobb echos the spirits of Ian Curtis and Ledger's Joker.