Ambitious but flawed directorial debut which was criticised for being derivative, cliched and pretentious. I thought the unsettling first hour boded really well (story, acting, music, production values all good) but that the film then started to drag (too many coincidences and exaggerations) and several scenes (particularly the ending) seemed rushed or botched and should have been recut, reshot or simply abandoned.
El guión es absolutamente caótico y desastroso. Los personajes no generan empatía alguna y el final es absolutamente arbitrario. Afortunadamente, Pablo Larrain se replantearía su concepción del cine a partir de la fantástica Tony Manero y desde ahí no ha bajado el nivel.