Beautiful, interesting, incredible cinema.
The second film by Mercedes Álvarez is a sort of essay about the life of objects. We see them while they’re still unborn (a real estate convention offering properties not yet built in faraway places) or rather at the very last moments of their useful life.
The second film by Mercedes Álvarez is a sort of essay about the life of objects. We see them while they’re still unborn (a real estate convention offering properties not yet built in faraway places) or rather at the very last moments of their useful life.