Two teenage girls go to winter carnival in Quebec City for the first time. Their ambiguous, tentative relation with a young boy brings both of them the sweet intensity and disillusionment of first love.
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3,7 The visual is tendentially mimetic and the sonorous is tendentially methexic (i.e. having to do with sharing, participation, or contagion), which doesn't mean the tendencies can't intersect, and “Geneviève” is made w/ that exact dose of participatory inclusion that delicately doodles along Chytilová interactive legerity while displaying a love for form to rival Clouzot's Prisonnière in miniature (minus Terzieff's