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GETT, le procès de Viviane Amsalem

josé neves's rating of the film Gett: The Trial of Viviane Amsalem

The beginning is extraordinary in its concision, by playing with the protagonist's point of view, which is revealed in the time of her interpellation: a subjective look that embodies with the spectator's supposed neutral look. The penultimate frame is also significant, approaching her to Sirk and Fassbinder's women: behind a window, a being locked up in her prison contemplating the world, a projection aquarium.