A familiar story of love during and right after a war. but still so powerful. I think it's the matter of mode in the movie that shaped by location, acting and so many little incomplete stories of friendships, immigration, nostalgia and etc. Maybe some other writers used these much of materials in a long movie script.
OK short from Andrea Staka only hinting promise at the work to come later realized with the feature "Fraulein". A man guilty for fleeing from the war and a woman since relocated to Switzerland meet in a hotel in Belgrade. A melancholy surronds the woman silently accusing the man without confrontation. A little undethought in scripting and lacks any real emotional payoff.