2.5* Resnais doesn't give a damn about the mechanics of time travel, hence the complete disinterest and potato/couch machine, and that's cool because he can really throw a linear narrative out the window but NOTHING he explores is as interesting as watching him play with genre conventions and time.
Sur un thème identique, nos préférences vont à "La jetée" de Chris Marker... www.cinefiches.com
This highlights how Alain Resnais really was a grandmaster of depicting time and memory in cinema, highlighted through its impressive editing and cinematography!
Je t'aime, je t'aime is an interesting essay on memory and time, two topics Resnais often contemplates on in his films. While this particular movie shares some characteristics that can be traced down his oeuvre, it's also quite distinct due to its editing. The latter turns it into a compelling meta-reflection on the powers of cinema itself.
There are a lot of time travel films that owe a debt to this one. A semi-forgotten classic.
Ah, Resnais once again plundering the mind-vault of an untapped literary resource (Jacques Sternberg, scenarist). T'was his thing. Canny of him. Anyhoo: we are dealing here w/ the most high-concept of ridiculous sci-fi conceits, and we are dealing w/ Resnais, so we are, by default, dealing in absurdity and melancholy. Cool. The power of the form makes forgivable the absurd machinations intended to make it palatable.
I think this film deserves more attention. It shows that it is possible to make a lower budget science fiction movie without CGI or enormous budgets. This one makes you think.
A dense, cyclical cinematic exploration of time and memory. The film is edited in a highly original way that reinforces the narrative, and the ending is quite a trip.
An excuse to shoot a story without any linearity. It lacks all the profound meditation on time and memory of "Hiroshima", "Marienbad" or "Muriel" ("Muriel" being one of Resnais' most underlooked and complex films). The ending has some sense of tragedy and the final shot has a powerful metaphorical resonance. That's about it.
A fleeting stream - reality exists in memory as a string of surreal yet seamless, singular experience.
One of the more precipitous tumbles down the proverbial rabbit hole in cinema. Witty, playful, devastating.
DOES ANYBODY know the name of the piece from the scene where they sit and listen to a vinyl? Starts off with blaring industrial sounds but then moves into lush orchestra. Don't think its Penderecki. You can also hear it 55 seconds into this trailer: https://vimeo.com/85986298
Where Marienbad deals with mysterious, muddled memories, this deals with highly disorganized and fragmented memories, but with more of a sci-fi flavor. Je t'aime Je t'aime unveils effects before causes.
Wow first film I've encountered YET not on Netflix. Sounds good too =(.
Catrine: sem documentos, emprego, família ou amigos, tudo por opção; triste, eternamente triste; a inventar expressões que não existem, como dizer que tem "terror", em vez de dizer que tem medo; adora o sol mas não pode vê-lo porque não consegue parar de pensar que ele vai deixar de existir;
Eternal Sunshine of The Spotless Mind should call Je t'aime, je t'aime 'Father'.
Penderecki wrote the score?! Ok, this just went waaaay up as a must-see.