This movie had a difficult storyline to keep up with. The movie did do a great job in dialogue it really made you think about life in a new way. I really enjoyed the parts with his father you can tell the wisdom that his father was portrayed to him. Also, the cinematography was great the switch they made to the first person near the end of the movie gave that scene a more personal feel to it.
It's hard to describe what this watching this film felt like. It's not only personal, it's true, honest with who it seems to portrays. JONAS AND LILA is an amazing tour de force of the generation that it shows. Our dreams are gone. The end of the world is here. It's unbearable. It's lucky the one who loves someone, and is loved back.
Dans son ensemble, c'est un beau film, plein des questions intéressantes, aussi que des références et dialogues philosophiques et littéreaires à la manière toute française qui j'aime; mais flottante dans la réalisation, à fois déconnectée. D'ailleure, Renoir ne pouvait pas penser «le cinéma sans eau». Jonas est un 'homme à la caméra', engagé au cinéma, à l'amitié, à l'amour [bien que l'alliance soit à droit].
A typically French film concerning the living of a life of struggle where personal relationships are paramount. Empathy is a strong theme as is loss and the protagonists interest in film and philosophy provide a tangible theme for the story set at the start of the new millennium. Ultimately though the film is true to it's title and it is the integrity in the core relationship that binds it all together so well.