La chienne

Gylfi

Brutal stuff. It must have been hilarious to witness the reactions of Will Hays and co. when they viewed the film for the American market. Michel Simon once again delivers a memorable performance in the leading role. Renoir is always at his best when he's showing us the dark side of human nature, the greed and the lust and what we are capable of doing under certain circumstances or when life deals you a bad hand.

Francisco R.

Renoir's direction doesn't follow the contemporary rules of that period, but relies solely - like all great filmmakers - on his own notion of form and narrative, one of the many reasons this film has aged extremely well, in addition to the great performances of course.

Wee Hunk

After I saw 'Scarlett Street' I wanted to see the original and figure out why Renoir didn't like it. In terms of pure technique, the Lang version is better. Renoir was so thrilled with sound that he places a long scene of someone singing at a crucial time in the film, which derails it a bit. The thing he was right about was that his Lulu actually is a prozzy, and as for moralizing, he makes it a bit of a joke.

Ethan

This is an extraordinary film noir from the great Jean Renoir with his stylistic cynicism and flair for comic relief this is a near perfect film and a nice little precursor to Lang's Scarlet Street.

ramosbarajas

Pretty awful people doing awful things to each other. Definitely see the poetic qualities of the genre, even if the subject matter can be so dark and cynical at points.

Edward Copeland

Jean Renoir's second sound feature is adapted from the same novel that Fritz Lang turned into Scarlet Street, only Renoir takes a more humanistic approach. http://eddieonfilm.blogspot.com/2010/02/it-has-no-moral-whatsoever-and-proves.html

FISCHER

Un classique inamovible du cinéma français, second film parlant de Renoir, avec une exceptionnelle prestation de Michel Simon, dépassé par l'amour... www.cinefiches.com

Heaven Kleinman

A very early example of what will become Renoir's famous ability to change the tone of his films. The funny parts were great, but it was boring otherwise.