After I saw 'Scarlett Street' I wanted to see the original and figure out why Renoir didn't like it. In terms of pure technique, the Lang version is better. Renoir was so thrilled with sound that he places a long scene of someone singing at a crucial time in the film, which derails it a bit. The thing he was right about was that his Lulu actually is a prozzy, and as for moralizing, he makes it a bit of a joke.
More intimate than The Rules of the Game, and in a way better than that, especially with some of the beautifully photographed and lighted scenes. I still prefer Lang's Scarlet Street, though. What's even more interesting than Renoir's film is the backstage drama that echoes the one on celluloid.
After THE RULES OF THE GAME I was a little bit discouraged from watching other stuff from Renoir. I expected them to be as overrated as his main 'masterpiece'. But I wasn't right. LA CHIENNE is great, and it is so from the very first minutes (puppy theatre announcement!).
Brutal stuff. It must have been hilarious to witness the reactions of Will Hays and co. when they viewed the film for the American market. Michel Simon once again delivers a memorable performance in the leading role. Renoir is always at his best when he's showing us the dark side of human nature, the greed and the lust and what we are capable of doing under certain circumstances or when life deals you a bad hand.
Renoir's direction doesn't follow the contemporary rules of that period, but relies solely - like all great filmmakers - on his own notion of form and narrative, one of the many reasons this film has aged extremely well, in addition to the great performances of course.