Wonderfully experimental, and at times I had to laugh out loud at the beautiful humor in this film. Buñuel proofs again that he's an extremely progressive filmmaker. The acting is really good and funny as well. I'm not entirely sure about the beginning of the film I must say though, where I might have gotten the wrong impression regarding what kind of film this was going to be. All in all a very nice film.
The main character and the woman he desires are both cray-cray, and prone to fits of extreme behaviour leading to chaos. It seemed pretty funny to me. It's like a lot of films from that time in that it relies both on silent film techniques as well as the static shots for the talkies. I'm fine with the chaos. That could be my religious model.
3-4. Mmm. It has a few of the same issues that 'Un Chien Andalou' had. But I think the longer runtime definitely works to its advantage. This film has a lot more breathing room, so a lot more of its setups have time to be mined for the most possible meat. Resultantly, more coherent evocations come forth from the setups, and L'Age D'Or feels like a more poignant movie, overall. Definitely deserves its reputation.
A masterpiece of subversive free association and absurdist imagery. Apparently, when the film was premiered on Dec 3rd 1930 at Studio 28 – members of the Fascist League of Patriots hurled ink at the screen and attacked the audience – a newspaper called it ‘the new poison that Judaism and Masonry want to use in order to corrupt the people’ – and was out of distribution for 50 years. Another reason to love it then!