The particular unfortunately-associated-with-Sundance American independent film movement that was still dawning as the nineties were dawning had two filmmakers who were doing extraordinary work with form, both of them gay men: Gus Van Sant and Todd Haynes. I'm gonna have to chose Last Days over I'm Not There, though both are wonderful. Gerry, Elephant, and Last Days. He had it. Almost. Then, apparently, lost hold.