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Hatuna meuheret

Dover Koshashvili Israel, 2001

Warren Spratley's rating of the film Late Marriage

A dog scurrying off-screen as an auditory preface to our central character entering into on-screen space, prolonged long shots fully conveying the details of a living quarter, the movements between kitchen, living room, bedroom, doorway. Tradition is the malefactor, but style serves as an extension of profound directorial sympathy. Koshashvili dares to ponder the nature of love, arriving at an unmerciful forfeiture.