A reckless loner, desperate for human connection, sets out on a crime spree that she broadcasts on social media. Her reality quickly splinters into a surreal nightmare that escalates out of control and all in time for Christmas.
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The scenes between Timlin and Fessenden ring of humanity in both its good and evil forms, but the experimental narrative isn't as compelling with the viral-based plot as it thinks it's. Mockler's style is as tripped as LSD, but his molding of humanity and flashiness within the modern-tech world, unfortunately, isn't as thorough emotionally or intellectually as it needs to be for entrancement. Underwhelming.