A young man has set enough money aside to live well without having to work for a while and spends his days riding cabs, flirting with ladies, and gambling on pinball games. This film follows his aimless days and nights.
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The last of the no mohawks. Bresson-esque solitude and dreamlike hyperreality in the first Hungarian art-punk film. Debut feature of András Jeles, one of the most interesting directors you will ever likely to come across. (The synopsis is way off, btw.)