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David Lynch United States, 1997

Stefan Drees's rating of the film Lost Highway

One of my all time favorites. Lynch's carefully crafted, very complex sound design - the use of music as sound and of sound as music, the use of fragmented pop songs as sound signatures and the use of (often nearly inaudible but still potent) low frequencies - is unique and operates like a slipstream that sucks you into the film and its twisted narration.