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Ratings & Reviews

  1. Warren Spratley's rating of the film M/Other

    Such a remarkable achievement. Where to begin? The long-take, lovingly framed visual aesthetic most obviously, but the pans must be stressed as they elongate the space between people, making that area exhaustingly palpable. Film breaks, overexposure, dream imagery, the physicality of the image. Another reason for the long-take: it brings the material world into such sharp relief. Emotion builds curiously, atonally.

  2. Brotherdeacon's rating of the film M/Other

    Sopoforically uninteresting at its core.

  3. Karl J. Kipling's rating of the film M/Other

    Has a few standout scenes, but overall terribly passive and lacking in ambition, cultivating the sort of improvisational-observational style (as banal as life itself!) that's usually only excuse for artistic laziness and a mask for lack of ideas. Not awful by any means, just mostly shallow and contrived, and its nearly DeMillian runtime is inexcusable.

  4. Ostermyers's rating of the film M/Other

    if Suwa is inspired by french cinema. French cinema really needs to go back to this.

  5. Jesse Furgurson's rating of the film M/Other

    Unshowy long-take naturalism (superbly acted), spiked with discordant music and edits. Suwa might be major.

  6. simonadp's rating of the film M/Other

    like the blinding flash of a camera, like a violin string that breaks. beautiful!

  7. InsertOzuReferencehere's rating of the film M/Other

    2/duo looked from my point of view as a film that is obviously going to result in Suwa peaking to soon. It is almost like 2/duo was a seed and M/Other is the blossom that sprouted from it. Possibly the greatest film ever made (as bold as it sounds).

  8. cinepheel's rating of the film M/Other

    It's been years. Need to see this again.