Sheelan – a young doctor of Kurdish origin who had managed to flee to Sweden with her parents – takes advantage of the fall of Saddam Hussein to return to Iraq; she hopes to find her uncle who she hasn’t heard from in over twenty years.
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This film made me think of the "frame" and how it "acts" on the film. What is inside the frame, is one thing and the frame itself is one other thing. Like the excellent choice of the P.O.V here, where what we see are the faces, and what happens on the road, appears like a frame for those faces.