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Ratings & Reviews

  1. MATTEO BITTANTI's rating of the film Marjorie Prime

    Jean Baudrillard's fourth order of simulacra, the movie. "The fourth stage is pure simulation, in which the simulacrum has no relationship to any reality whatsoever. Here, signs merely reflect other signs and any claim to reality on the part of images or signs is only of the order of other such claims." A fascinating meditation on the upcoming post-human future that feels like a long episode of Black Mirror.

  2. ‏ㅤ's rating of the film Marjorie Prime

    memento mori

  3. Jason's rating of the film Marjorie Prime

    MARJORIE PRIME: simply a masterclass in the application(s) of film form. Shot selection, cutting, production design, sound design, and performance are all put to miraculous use in adapting what might have been a merely-decent play. I had to think of Resnais (most of whose finest late works were adaptations of plays). And it would seem Almereyda wanted me to. Pretty sure there's a straight shout-out to Marienbad.

  4. Sean Patrick Stevens's rating of the film Marjorie Prime

    I think this is Almereyda's most satisfying film even though the detatched aesthetic might be a major turnoff to most. The purpose is eventually revealed in the equally minimalist performances that become more affecting as the film goes on.

  5. Viginti_tres's rating of the film Marjorie Prime

    To criticise this for not being cinematic is to miss the point. It's a film about being stuck, about talking to furniture, a long steadicam tracking shot would be contradictory. What the film tries to be, it is: a stunning, sincere but unsentimental dive into the notions of personal narrative, of memory, of the purpose of family.

  6. Matt Richards's rating of the film Marjorie Prime

    A very talky film that sticks too close the play with very little camera movement and a plodding, even pace. The performances are reasonable and the ocean backdrop highly effective as an evocative motif for the eternal passing of time. By the end things come together beckoning the viewer to look within and contemplate their own life purpose. 3 stars

  7. Carlos Filipe Freitas's rating of the film Marjorie Prime

    “Marjorie Prime”, which has a play by Jordan Harrison as its source, is a no-nonsense exercise full of demonstrative close-ups, in which deceitful specters are imagined to ease empty, lost souls. (3.5 stars)

  8. Eric Eidelstein's rating of the film Marjorie Prime

    TFW the Mica Levi score hits. I'm not the hugest Almereyda fan, but I found Marjorie Prime prime to be his most human — and therefore moving — film. It wasn't a huge hit out of Sundance (probably because it's bleak as hell), but I was truly shaken by its earnest exploration of the power of memory —the ways in which we construct our realities to feel less alone in the world. Long live Lois Smith.

  9. angelicidea's rating of the film Marjorie Prime

    Perhaps better as a play. The film felt cold to me and not necessarily cinematic.

  10. Michael Peer's rating of the film Marjorie Prime

    Marjorie Prime's ideas are far more interesting than its execution. Based on a stage play, we get the sense that this material would work much better there. As a film, Marjorie Prime is basic and unmotivated. The performances are all great, but would have probably served better on a stage. As a film, we can only really look at the decisions made cinematically and there really aren't many. It's flat and unengaging.