despite being admittedly slow and seemingly dated this is truly and beautiful, fully realized, perfect film. What’s it about? Love, capitalism, manifest destiny ? All those things ? The ending image is haunting and full of supposed meaning. The questions abound and therein lies an interesting movie. The Cohen songs fit like it was made for it. A Great Western anti or not
This is a great film. Atypical of it's genre, it introduces our hero and slowly deconstructs him instead of building him up. McCabe has got that western spirit, but Mrs. Miller, and life, bring him down a peg. A couple pegs, to be honest, and it's brilliant. Sad, but brilliant. A must watch.
The most honest western there is. Our “hero” McCabe makes a living as a pimp. We see no Natives. We see exploited and overworked miners and Asians. Women are forced to prostitute. This is what makes the film so unique. It shows the truth behind what western expansion truly was. The transition from free competition to monopoly capitalism only meant less people would reap the benefits from the exploitation of others.
Every story happening and every character present seem to, at the same time, tell a nostalgic ol' western tale and be it's subtly humorous critique. By challenging all kinds of genre conventions, Altman created an inventive film somewhere between classical and neo-Western. Dreamy visuals are worthy of anything Tarkovski would make, and are to thank for launching Vilmos Zsigmonds' carrer.
The tale of a typical western tough guy who is on an endeavour to build saloons and be rich, who finds himself becoming increasingly infatuated with an usually strong woman, one feminists would be proud of, although her profession would nowadays be frowned upon. By showing the fragile, emotional side of the hero I feel ALTMAN has done something unique with a western. The theme song by COHEN wonderfully supports this.
McCabe & Mrs. Miller is a film which seems to develop in large part without any real or at least palpable tension. Whether it be amorous or anything else, one can't really sense what's at stake for the bunch of people that are screened. I think this is largely due to the sketchy script. Yet it's quite entertaining and a joy to watch, a combination of characteristics that runs across Altman's oeuvre.
Crime, alcohol and prostitution are the foundations of American civilization. Pity, then, that this saggy affair is no match for its own sarcastic stance. It rather resembles the abysmal 'Popeye': people in costumes trapped on a hillside, in a film set that looks like a film set. Plus badly faked snow.
Peculiar fragile age for the solitary-type product of the North American counterculture where he sort of cries off and on through the near-entirety of McCabe and Mrs. Miller from the shot of the egg onward. I remember seeing it projected on 35 when I was a teenager. This really feels like a superlative period piece about the poetic gestalt of its own time period. Hence the Leonard Coen. The snow happened 'cause God.