One of the most important American films of all time, certainly the most radical thing at the time that a major studio had ever (fearfully, tentatively) distributed (stamped w/ X rating). This is a hybrid film as indebted to direct cinema as it was Godard (and Coutard). And: August '68. America's May. This is a dispatch from early in the era of the 'media event,' and the crystallization of an emergent fatalism.