In this glossy informational mode of filmmaking, organization is everything, and director Robert Kenner (Food, Inc.) isn't much of a storyteller. Artless and gimmicky, his style is heavy on ironies and analogies—a magic act framing device here, a montage of waffling politicians set to David Bowie's "Changes" there—and short on unifying perspective.
Ignatiy Vishnevetsky
March 5, 2015