Filmmaking within film. Filmmaker within film. The subject is the tool of deception, that is, the camera, as well as the camera man himself--film itself-- and in a roundabout irony, the subject here (the man) is subject to deception itself, as metaphor for a much deeper deception, that of a nation. In other words, no matter how deep your feelings run to catch up with reality, nobody is to be trusted. Brilliant.