Fun, but far from Lenzi's best. An entertaining entry to the zombie genre, with a number of memorably over the top gory set pieces. But it's never really clever or original enough to distinguish itself from the rest. Worth watching for fans of Italian exploitation, but nothing special.
This is a gorehound fantasy. Umberto Lenzi's infected people horror film is a non stop killfest and a gorehound's delight. This had to of been the film that inspired Robert Rodriguez to do Planet Terror.
A ripoff of Zombi 2 that's a helluva good time. The type of film where scalpels and axes fly cartoonishly true and ladies' blouses pop open as if spring-loaded. Despite a real groaner of an ending and some seriously limp anti-nuclear speeches, this is a blast.
Nice score along with bunch of action and gore turn this into exploitation entertainment at best. In the manner of Romero's "Dawn of the Dead", it uses social and cultural implications to enrich the story - whether it's infidelity, freedom of the press, nepotism or universal critique of mankind. Towards the end, it starts to be repetitive and it's cheaply concluded but other than that, a must see for genre fans
Love love love this movie, even with it's silly anti-nuclear message and idiotic ending. One of the pioneers of the "running zombie" genre, even if Mr Lenzi hates it when people call it a zombie movie. Fast paced, never boring, lots of creative sequences with the infected hoarde. How could you not love this?
Zombie movie with the walking dead having pizza faces which must have been easy to do since the film is Italian. The leading actor is also one of the least charming actors ever put on screen and the rest of the characters behave so pig-headed that they deserve to die. The worst scene is when a couple decide to stop and take a coffee break from running so that the zombies can keep up and kill them. Awful.
this was okay....but then i saw lenzi's interview featurette and lmfao. it was wildly pretentious which is usually a positive with genre directors but he made a name off racist ass cannibal films and graphic misogyny (why were women's tops being torn off and tiddies cut off?) like almost exclusively so his artistic aspirations are hilarious.
Sgangheratissimo horror nel quale le risate superano di gran lunga i brividi. Il problema - o forse il suo miglior pregio? - è che il film si prende terribilmente sul serio. Aldilà delle intenzioni del comunque grande Umberto Lenzi, una chicca irresistibile da vedere rigorosamente in compagnia, commentando le scene più improbabili.