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francisca bacon's rating of the film Notre musique

it's funny how words betray the film. they do not lie, but they betray it. films like inglorious basterds or munchen betray levinas, but differently. in spite of sophisticated choices of texts and additional music,i found this film spiritless. if tolerance accepts two types of opposing certitudes, then how can it still define war as good vs. evil, since it is the clash of such equal systems of certitudes that war is?