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Irving Rapper United States, 1942

Rocco's rating of the film Now, Voyager

One of Davis’ most delicate roles, portraying a woman for whom independence is greater than money, comfort, or even love. Her saucer eyes were never more expressive than here—two crystalline dams perpetually on the verge of loosing the Red Sea. Though her ultimate happiness defaults to pseudo-motherhood, the film’s preoccupation with free-will makes it an early feminist work gussied up in the trappings of melodrama.