Inhabiting a cinematographer-director through intimacy could mean an adjustment-annexation to the genealogy of his images. Grandieux, in his only film that I like, "Il se peut que la beauté ait renforcé notre résolution" did it and Champetier too. Thus, we approach, softly and peacefully, the beauty that brilliantly crossed the world to extract from it its poetic chaos. Thus, we approach Duras. A fine complicity.