A poetic and existential dive into an actress’s mind during the nine months of her pregnancy as she must confront her most fiery inner demons while trying to rewrite a new philosophy of life, identity and love.
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To me, Petra Costa's new film lacks something that overflowed in Elena: charisma. I did not care about anything showed on screen - it seemed vanilla drama for seventh art enthusiasts: it's a fable of pain and (re)discover shot with Costa's sensibility, but as an actress story should not be it looks staged and a little fake. What a pitty, I was really expecting great things from Elena's creator.
An actress on the edge, a film on the limit between documentary observation and a life performed. Independently of its formal and structural experimentations, this is a precious portrayal of a woman’s personal journey through her first pregnancy, her commitment to her art, her professional ambitions and her sense of self.
It is a good film, but the premise promised a little more. It could have gone deeper in the staging and in the association with the play and with the reality of being an actress. It falls a little bit short in that respect apart from the discussion with her husband, staged, and the very good lines and dialogues as well as wonderfully filmed, but it is not enough.